Simply find the best possible online shopping Chasing Summer deals
Shop Chasing Summer products and compare prices and listings on popular online marketplaces.
In 2018, Iliza Shlesinger wrote down, “what if high school came back to bite you in the ass?”
Over many, many rewrites, as well as several false starts and stops, that germ of an idea culminated in “Chasing Summer,” a comedy about a 40-something woman who returns to the Texas hometown she fled decades ago only to find herself embracing a summer of parties, menial jobs and carefree romance. That may sound like the premise of an Apatow-ian exercise in arrested development, but Shlesinger wasn’t interested in just landing punchlines.
“I knew what I wanted,” Shlesinger said during a Zoom interview a week before “Chasing Summer’s” Sundance premiere. “I wanted to make a film. I wanted to make art. I thought it’s time to make something beautiful, not just a straightforward comedy, because this very easily could have been that, and I wanted it elevated.”
To realize her vision, Shlesinger turned to Josephine Decker, an indie filmmaker best known for moody thrillers and dramas such as “Shirley” and “Butter on the Latch.” It was an unconventional match, but there was something about Decker’s style that Shlesinger thought would be perfect for “Chasing Summer.”
“This is the kind…
Texas is a big place that can feel so small sometimes. Just ask comedian Iliza Shlesinger, who clearly gets it. Born in New York but raised in the suburbs of Dallas-Fort Worth, she made her break from the Lone Star State right after high school and never looked back. Well, that part’s not quite true. Her hilarious, perceptive and deeply relatable indie comedy “Chasing Summer” (directed by Josephine Decker) is all about looking back, as her overachieving character Jaime returns “home” after nearly 20 years away to make peace with her past.
No one questions when men do what Jaime did, ditching their families (in this case, MVP Megan Mullaly as her well-mannered mom, Layanne, and Jeff Perry as her more oblivious dad) to go off and make a career for themselves. As the film opens, Jaime is out saving the world — that’s literally her job as a disaster relief worker — cleaning up after a tornado in neighboring Mississippi. Without calling attention to it, Decker shoots the scene like she’s got something to prove (when it’s Jaime who’s the one with a chip on her shoulder), swooping through the aid camp in an elaborate “Touch of Evil”-style oner.
…