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Last year’s iOS 14 release was one of the best iPhone updates yet. Apple didn’t necessarily deliver everything on our wishlist from last spring, but it made big strides on a surprising number of them, with a massive home screen revamp, huge privacy advancements, and an overdue streamlining of Siri’s UI. And subsequent updates have kept up the momentum, with the upcoming release of iOS 14.5 slated to bring Apple Watch unlocking, app tracking transparency, and a slew of other tweaks and additions.
Looking forward to iOS 15, we still want Apple to tackle some of our evergreen complaints (Siri), but the addition of big changes like the App Library and home screen Widgets have gone a long way toward making iOS a more modern and flexible mobile operating system. But we’d like Apple to go even further. Here are some of our most-desired features and changes for this year’s major iPhone OS update. And be sure to check out our wishlists for macOS 12 and watchOS 8.
Update 4/22: Added rumors about iOS 15 from a Bloomberg report.
Ever since iOS 5, Apple has stuck to a very rigid release schedule…
The collapse is nigh. Everything means nothing. Superstructures blot out the sky. People shout invectives through N95s across divisions of understanding. The pandemic has rendered even the most quotidian errands potentially perilous. On top of it all, we are flattened to an austere mode of living, a kind that provides a springboard for the musings of T. Hardy Morris, the psych-folk singer-songwriter intent on finding some traces of hope within modern meaninglessness, now exacerbated by conditions of lockdown.
Despairingly singing of the contemporary state of the world and of its sorrows and contradictions, Morris has a heartfelt incisiveness unchecked by vanity, one that gushes without fetters. And so, casting himself as the world’s mirror, his latest LP, The Digital Age of Rome, can be pretty broody at times, but the music to which it’s set belies its lyrical woe. It’s psychedelic and somewhat poppy and singalong – a stark deviation from his previous folksier, traditional-leaning output both solo and with his former band, Dead Confederate, and its utility of modern sonics reflects that. He told SPIN over the phone that he decided to ditch the erstwhile sounds for a new one, to “sound like modernity, a little more…